-
3×7 – The Colors of Being (2020)
Soundtrack teaser n.1 & 2. “3×7 – The Colors of Being “, Leo Moroh’s film (Cinema Libre).
BABEL-CRACK (2019)
Soundtrack “Futuro Remoto”
LOSCO soundtracks contest 2019 (Rionero in Vuture, Italy).
Music by Giuseppe Franchellucci & Ljuba de Angelis
Ljuba de Angelis – vocals, shruti box, effects pedals
Giuseppe Franchellucci – cello, effects pedals
Genius loci – 2019
Dance & Music performance
Artist in residency “CloseUp Festival”, Civic Museum of Crema, Italy
20-22 September 2019
Maruska Ronchi – butoh dance, choreography, performance
Ljuba de Angelis – composition, electroacoustic music, performance
Cryonic Dream – 2019
Festival “En chair et en son ” France edition 2018 – International meetings between butoh dance and acousmatic music.
Pièce électroacoustique (field recording, vocals, cello, analog synthesiser VCS3)
Dreamlike trip about the cryonics.
The line between life and death, present and future, science and fiction.
Electroacoustic music
-Field recording: urban soundscapes, natural soundscapes, hospital soundscapes (magnetic resonance imaging machine).
-Cello
-Analog synthesizer VCS3
Centre de création numérique LE CUBE – Issy les Moulineaux (France) – 25/10/2019
Performance by Lucile Belliveau
Neo-nomades – 2019
Festival “En chair et en son” – International meetings between butoh dance and acousmatic music. Italy edition 2019 (Benevento).
An electroacoustic piéce about a contemporary nomads and about a deterritorialization of job and daily life. The “global nomads” are liberated from emotional, social, and physical obligations.
It’s the awareness of freedom; to escape of routine and go away.
From urban soundscapes to natural soundscapes guided by a primal voice.
Electroacoustic music
-Field recording: urban soundscapes, natural soundscapes.
-Cello
-Vocals
Cello: Giuseppe Franchellucci
Vocals: Ljuba de Angelis
Ouroboros – 2018
Pièce électroacoustique (field recording, vocals, cello, analog synthesiser VCS3)
Festival “En chair et en son ” France edition 2018 – International meetings between butoh dance and acousmatic music.
Centre de création numérique LE CUBE – Issy les Moulineaux (France) – 27/10/2018
Performance by Maruska Ronchi
Audio full version
-
Syrian Voices (2017)
Electroacoustic piéce – Field recording of Syrian protest in Istanbul.
Taksim Square Assad protest reimagined by Ljuba de Angelis. “Everything in the piece is taken from the original recording. I worked a few sound samples with some tools to evoke the war (airplane and bombs noise) like a backing track for the field recording.” Part of the Protest and Politics project – find out more at http://www.citiesandmemory.com/protest
Dalla culla alla vasca (Cradle to bathtub) – 2016/2017
Sound Installation
Description
A white empty hall, like an empty white bathroom, just a bathtub in the centre and four speakers create a quadraphonic sound. A big carousel for crib hangs and rolls over the tub. A carousel full of jellyfish, sinuous and transparent; jellyfish like Medusa of Greek mythology, meaning the female rage and the feminine wile.
The visitor has to get in the bathtub, filled with white felt like foam, and has a sound trip. Feeling the connection between the cradle and the bathtub, it’s like a deep dive in the past. The memory of childhood and “not memory” of the birth. The transition from amniotic fluid to cleansing scented water.
LJUBA DE ANGELIS – sound art (field recording, musique concrete, experimental music)
MATRUPIX – plastic art
I soliti errori (Same Mistakes) – 2015
Art Video: Matrupix.
The loop of construction and destruction. The contrast between natural and man-made, black and white, death and rebirth.
Computer animation &Video Editing: Matrupix
Music & Sound design, vocals and synthesizer VCS3: Ljuba de Angelis
Stop-motion for video installation (loop).
- Hypnose rétinienne et terreur (2015)
Film extract.
Scene: a woman faces an invisible and violent enemy.
External forces are introduced in the frames. Glass walls crumble and furniture furniture topples. The protagonist, in a state of terror, is suffering from hallucinations and personality disorders.
Piéce for string quartet (one of the two cellos play noises and effects)
- Ghosts Before Breakfast (Hans Richter, 1928)
Experimental Cinema
An extract of Vormittagsspuk (Ghosts Before Breakfast) , an experimental film by Hans Richter from 1928.
Music & Sound design with analog synthesiser VCS3 (2016)
- Suggestions (2016)
